LEO BROUWER 20 ESTUDIOS SENCILLOS PDF

Download leo brouwer – 20 estudios Get this from a library! Leo Brouwer’s 20 estudios sencillos. [David Tanenbaum; Jim Ferguson]. During my studies I realised that Leo Brouwer is a brilliant composer. the first 10 Estudios are doable, the Estudios 20 are very difficult.

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Discussions relating to the classical guitar which don’t fit elsewhere. Leo Brouwers’ Estudios Sencillos: My teacher adviced me to study them, paying extra attention on the dynamics. During my studies I realised that Leo Brouwer is a brilliant composer.

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His studies are not only quirky, but very difficult to play well. My teacher warned me that the first 10 Estudios are doable, the Estudios 20 are very difficult. What is your experience?

Estudios Sencillos means ‘simple studies’. I plan to study all 20 of them. What do you think: Reedition Domingo Esteso by Conde Hermanos ; Kenny Brouuwer, model Barcelona “While you try to master classical guitar, prepare for a slave’s life: But I agree wholeheartedly with your conclusion that Leo Brouwer is a brilliant composer and as for “worth the try?

I agree that Leo Brouwer is a brilliant composer. Being an eternal beginner, I just needed corfirmation. Yes, there’s a lot of good stuff in there. My feeling is that not enough thought is vrouwer to the meaning of the tempo instructions or the meaning of the word cantando!

I tend to go to youtube to find out how not to play something. I esudios myself going back to them every once in a while.

leo brouwer – 20 estudios – Free Download PDF

I sometimes wish that he had not labeled them as “simple”, because that may be interpreted as “childish”. Nothing could be further from the truth. They are masterful short pieces that a delight to play. Brouweg they do get progressively more difficult as you play through the set. I’ve given some attention to the first 12 and dabbled with My teacher told me when I struggled with some of them in the beginning I still play VI and use it for arpeggios for other than amiamipami. The chord progression is nice and makes arpeggio practice interesting.

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For me, the hardest was the first part of VIII because as a beginning music student, I didn’t recognize it as a canon and did not understand how the voices should be balanced and which notes belonged to which voice I had only been playing for nine months at that point.

The arpeggio part was not a problem, though. I think my husband hated III! Such a difference from II Sfncillos teacher gave me estufios exercise of brouwed them in order and making the musical and psychological transition from one to the next.

It was like the character actors who turn their back to the audience and then when they turn back, they are another character. It was hard at first to do that. When the sun shines, bask. I have just made the discovery of these most interesting pieces. To tell the truth, I wasn’t aware of them until I happened to run across nos. I was so taken with them, I bought the sheet music. I’ve just started working with them a wee bit and so can’t comment on the difficulty on them yet.

But yes, I see the quirkiness right off in no. In further listening to them online, it sounds as if some of the latter ones are quite difficult, probably beyond my capability.

Leo Brouwer – 20 Estudios Sencillos – Classical Archives

Musically, the ones that are attractive to me most right now on first hearing are probably 1, 2, 4, and 19, but all are quite interesting. So simple, yet so wistfully beautiful. Brouwer is a composer of stature, indeed.

Thank you, Erik, for beginning this thread. I’m interested in hearing more comments on which are favorites, which the most technically challenging and why, etc. Misleading too for me who think they’re sort of easy studies, these are a hard and tricky studies but the beautiful harmony seems pay us back.

This study still playable I think with some practicenot like most of Villa Lobos set that I just keep on box to collect dust I haven’t studied the first ten, I begin from 15, 17 and 19 which I liked the most.

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For me the 16, 18 and 20 are the hardest part of the set also the most beautiful and interesting IMO. I really can’t execute the trill or slur at such a speed it requires.

The form of this 3 studies also complex compared to others. I find it hard to read too. After that comes up the 11, 13, 14, 17 and 19 which add bits of twist and trick.

After that, I feel the 16, 18 and 20 worth placed at the edge of difficulty.

His fountain pen made me peo of my writing brushes and Chinese writing paper’ – Puyi ‘I don’t write music to be difficult, only to be more like itself’ – Harrison Birtwistle. My teacher had me on 7 for a while. Is that the best you can do, sounds like mf Score says ff! See that, that is called a rest Peter. Now, see at the top where is says to play it as rapidly as possible It sure gets you to control the instrument very carefully going from pp to ff and back semcillos quickly and cleanly.

All interspersed with periods of silence. What it all cones together and played quickly it is very rewarding.

leo brouwer – 20 estudios sencillos.pdf

And, in my view, they are very important in that they do something to fill what is a bit of a void in the repertoire for students. For example, whilst I do fully appreciate the talents of Sor in voicing and so on, I find that most Sor studies do not speak to me or get me excited. Last edited by Nick Clow on Sun May 31, 3: I just finished studying the first five of Leo Brouwer’s Estudios Sencillos.

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