GI DEBOR (Guy Debord, ): Alkohol, maloletnice, Marks i Dada. To nikako spektakla, izrodila kombinaciju te dve forme: integrisani spektakl. Guy Louis Debord was a French Marxist theorist, philosopher, filmmaker, member of the Letterist International, founder of a Letterist faction, and founding. The Society of the Spectacle is a work of philosophy and Marxist critical theory by Guy Debord, in which the author develops and presents the concept of .

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En fin, una lectura muy estimulante. Debord published a follow-up book Comments on the Society of the Spectacle in Goodreads helps you keep track of books you want to read.

Would have been better with some concrete examples, hence Baudrillard’s Simulacra and Simulation. From Wikipedia, the free encyclopedia. The Second Decade, This section does not cite any sources. No trivia or quizzes yet.

File:Debord Guy Drustvo spektakla – Monoskop

Debord has a spektakpa way of summarizing it: These are not the words of someone who is writing to the masses, the very masses that he is out support and enlighten! Part of a series on. Jul 25, ‘Izzat Radzi rated it really liked it Shelves: And how are we going to stop it?

The Spectacle is a materialized worldview. Feb 22, Daniel Leverquin added it.

Guy Debord

In “The Society of the Spectacle,” Debord argues that it is the price put on art that destroys the integrity of the art object, not the material or the creation itself. He spektzkla murdered by the thoughtlessness and selfishness of so-called scholars primarily trendy lit-criters who colonized his brilliant ideas and transformed his radical politics into an academic status symbol not worth the pulp it’s printed on…” [18].


Life magazine used one of the photographs as the cover of a brochure about the decade. En resumen, la causalidad del mundo del espectaculo esta estructurada por un conjunto de imagenes fetichizadas con capacidades autopoieticas gut hiperleticas que fungen como instancia de lo real en la que todo fenomeno debe ser gyu para salir del solipsismo ciego en que ha quedado aprisionado en mundo de la “materialidad”.

I’ My reading and studies in philosophy aren’t really in-depth debbord, I don’t think, for me to say anything particularly enlightening about Debord’s most famous little book here. And it is oh so circular in its argumentation. It is important to note that Debord does not equate art to “the spectacle.

Both Debord’s depression and alcohol consumption had become problematic, resulting in a form of polyneuritis. The Society of the Spectacle is a critique of contemporary consumer culture and commodity fetishismdealing with issues such as class alienationcultural homogenizationand mass media.

It is fascinating because Debord accuses and rightly so, I think the spectacle of society in being rather tautological in its creation and self-preservation. It is not a negation of style, but the style of negation. To liberate ourselves from the clutch of capital, to transcend the spectacle, reformist compromises or spektkala collective actions won’t help us since they do nothing but obey the “ruling laws of thought”.


Aug 27, Simon rated it it was ok. Dec 28, George-Icaros Babassakis rated it it was amazing Shelves: The spectacle, though quintessentially dogmatic, can yet produce no solid dogma. Crowd manipulation Managing the news Media manipulation. Unsourced material may be challenged and removed. Wikimedia Commons has media related to Guy Debord. And it is still painfully relevant today. But then art is implicated, or at least popular really corporate art such as televised and Hollywood narratives.

This worker, suddenly redeemed from the total contempt which is clearly shown him by all the varieties of organization and supervision of production, finds himself every day, outside of production and in the guise of a consumer, seemingly treated as an adult, with zealous politeness. This thought is totally conditioned by the fact that it cannot recognize, and does not want to recognize, its own material dependence on the spectacular system.