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Share on facebook twitter tumblr. In Sequenza XII Berio makes deliberate use of the different registers and explores the physical limits of performance through extended techniquesfor example, through different uses of the tongue to modify airflow, by writing notes and phrases that are so long they require the performer to use circular breathingthe use of glissandoand multiple sounds producing by singing through the instrument while playing Osmond-Smith ; Pedone Compositions by Luciano Berio compositions Compositions for bassoon Music dedicated to ensembles or performers Classical composition stubs.
Sequenza XII, for bassoon
Sequenza XII is a composition for solo bassoonwritten by Luciano Berio in Osmond-Smithand part of a series of fourteen Sequenze composed between and This page was last edited on 7 Juneat Folk Songs Sinfonia A-Ronne. You can help Wikipedia by expanding it. Jazz Latin New Age. References [ edit ] Osmond-Smith, David. Un re in ascolto Cronaca del luogo.
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Luciano Berio: Sequenza XII
From Wikipedia, the free encyclopedia. Naxos 3CDs Deutsche Grammophon 3CDs The piece is strung along a backbone of glissandi, with, as is typical of Berio xii monophonic Sequenzas, excursions into rapid melodic fragments and complex articulated gestures. Stradivarius 1CD Genre Chamber Music Classical.
Retrieved from ” https: In a live performance, the piece can stretch to close to half an hour; the performer’s ability to circular-breathe is virtually a necessity, with some glissando passages lasting for many minutes without a pause. This article about a classical composition is a stub. Rainy Day Relaxation Road Trip. A Garland for Dr.
Sequenza XII – Wikipedia
In the case of Sequenza XII for bassoonPascal Gallois was a crucial catalyst for Berio ‘s decision to write the piece at all, demonstrating the wide-ranging personality of the instrument, including its timbral and technical possibilities. Stefanie Liedtke, bassoon and Lorenda Ramou, piano “Breathless”: Sexy Trippy All Moods.
Berio ‘s Sequenza series for solo instruments can be seen as a collaborative process not only in the performance of these works but in the compositional process itself. Drinking Hanging Out In Love.